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3 production checklists for a cinematographer

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Get your pen ready to tick off these production checklists.

As a cinematographer, you play a crucial role in the production of a film or video project. To ensure your work is of the highest quality, it’s important to stay organized and prepared throughout the production process.

One way to do this is to use checklists to keep track of everything you need to do before, during, and after a shoot.

In this article, we’ll look at three production checklists every cinematographer should have in their toolbox.

These checklists include a pre-shooting checklist, an during-shooting checklist, and an after-shooting checklist. By using these checklists, you can streamline your workflow, stay focused, and capture the best footage possible for your next project.

Let’s dive into it.

Checklist Cinematographers Need for Pre-Production, Production, and Post-Production
DP Janusz KaminskiCredit: Colombia

3 production checklists for a cinematographer

1. Pre-production checklist:

  • Discuss the project with the director: Meet with the director to understand their vision and goals for the project. This can help you plan your approach to filming.

  • Scout locations: Visit the places where the shooting will take place to plan your lighting and camera setup. Write down any potential obstacles or challenges that you may need to work around.

  • Create a shot list: Work with the director to create a shot list for the day, detailing each shot that needs to be captured.

  • Plan lighting: Decide on the lighting configuration for each plan, including the type of lights and their placement.

  • Testing equipment: Test all equipment, including cameras, lenses, and lighting, to make sure everything is in good working order.

  • Charge the batteries: Charge all batteries for cameras and lighting to ensure they will last throughout the shoot.

  • Equipment of the pack: Pack all necessary materialsincluding cameras, lenses, lighting and accessories.

  • Prepare a backup plan: Have a backup plan in case of equipment failure or weather problems. These may be spare equipment or alternate locations.

  • Hire the crew: If you need additional crew members, like a tune-up shooter or blunderbe sure to hire them well in advance.

  • Communicate with the team: Communicate with the production team, including the director, producer, and other crew members, to make sure everyone is on the same page and knows their role for the shoot.

DP Reed MoranoCredit: Paul Sarkis

2. Production checklist:

  • Check equipment: Continuously check all equipmentincluding cameras, lenses and lighting, to ensure they are in good working order and working properly.

  • Monitor sound: Be careful of audio levels and make sure the sound is captured correctly.

  • Contact the director: Stay in constant communication with the director to make sure you’re capturing the shots they need and to discuss any changes or adjustments that need to be made.

  • Monitor lighting: Continuously monitor the lighting throughout the shoot to ensure it remains consistent and effective.

  • Keep lenses clean: dungeon clean lenses and free of dust or smudges to prevent image distortion or loss of quality.

  • Check the frame: Continuously check the framing of each shot to make sure it’s cohesive and that you’re capturing the intended subject or action.

  • Monitor exposure: Keep an eye on exposure levels And make adjustments as necessary to ensure that the video is not overexposed or underexposed.

  • Change lenses if necessary: Change lenses as needed to capture different shots and perspectives.

  • Save backup batteries and memory cards: Have backup batteries and memory cards handy to avoid interruptions while shooting.

  • Be aware of the environment: Be aware of your surroundings and any potential hazards, especially when moving equipment or adjusting lighting.

Roger Deakins
‘Blade Runner 2049’Credit: Pictures from Warner Bros.

3. Post Production Checklist:

  • Check your equipment: Make sure all equipment including cameras, lenses, batteries and memory cards are accounted for and in good working order.

  • Transfer images: Transfer all images from memory cards to multiple hard drives and check data transfer for each file.

  • Backup data: Create multiple backups of footage and store them in different locations for redundancy.

  • Organize files: Organize images into folders by shooting days, camera and lens used for easy access and retrieval.

  • Create proxies: Generate footage proxies to enable a faster workflow and easier editing process.

  • Review pictures: Watch all footage and note any issues, such as technical issues or continuity errors.

  • Own material: Properly clean and store equipment, including cameras, lenses, tripods and other accessories.

  • Chat with the director: Discuss the footage with the director to ensure the creative vision has been realized and to identify areas that need redoing.

  • Submit papers: Complete and submit all necessary paperwork, including release forms, shoot logs, and call sheets.

  • Follow up: Follow up with the production team and any post-production team to make sure the footage is processed correctly.

Director Alfonso Cuarón and DP Emmanuel Lubezki on the set of ‘Gravity’Credit: Murray Close/Warner Bros.

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Summarizing 3 Cinematographer Production Checklists

Cinematography is a complex and intricate field that requires careful planning, organization, and attention to detail. By using the three production checklists we’ve talked about in this article — before shooting, during shooting, and after shooting — you can make sure you’re well prepared for every step of the production process.

These checklists will help you stay focused, streamline your workflow, and capture the best footage possible for your next project. Remember, being a great cinematographer isn’t just about having technical expertise, it’s also about having a systematic approach to your work.

By using these checklists, you can elevate your art and create stunning visual stories that captivate your audience.

Go shoot.

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