“Give Them Their Flowers” is a collective exhibition devoted to celebration and mourning: at the entrance to the show, synthetic flowers emerge from a wall and hang from the ceiling, …
Architect
Every ocean Hughes, River2023. Performance view, Whitney Museum of American Art, New York, March 2023. Photo: Maria Baranova. Lindsay Rico and Geo Wyex. IS VIRGINIA WOOLF to drown in the …
Although best known for her sculptures, Katinka Bock has long kept photography on the periphery of her studio practice. “The Sonnenstitch(Sunstroke), the first photography-focused exhibition by the artist, features some …
The flexibility of puns and the burlesque sensibility of Laura Ziegler’s solo exhibition “Kartoffel Jazz” create a web of historical and personal entanglements that unfold rhizomatically underground, like unruly filaments. …
Visitors to Debora Bolzsoni’s “Somnambular Geometry” exhibition are immediately struck by two distinct sculptural elements. The first one, Luz that descends (Lumière qui descend), 2023, a large rectangular metal frame …
Organized by the Bucharest curatorial initiative Salonul de proiecte, “Small Things, Precious Things” offers a loving ode to the late artist Ionuț Cioană (1980-2020), who practiced under the pen name …
The Guggenheim Foundation has announced the 171 recipients of its 2023 fellowships. Recipients of this sought-after honor include painters, filmmakers, photographers, writers, architects, scientists, anthropologists, engineers, historians and mathematicians. . …
Kelly Reichard, To show up2022, video, color, sound, 108 minutes. Lizzie (Michelle Williams). THE MOST EVOCATIVE WORD with which to describe Kelly Reichardt’s films is “homemade”, in the sense of …
Robert Russell, Reh legends2023, oil on canvas, 40 x 55″. At first glance, “Porzellan Manufaktur Allach”, Robert Russell’s current solo exhibition at the Anat Egbi Gallery in Los Angeles (through …
CAMP, Bombay bows2022, seven-channel digital video, color, sound, 13 minutes 14 seconds. Installation view, Aspinwall House, Kochi, India. IN THE MODERNIST IMAGINATION, a viewer’s encounter with an art object should …