Wes Anderson is a nostalgic merchant. At times, his films feel like elaborate exercises in joining idiosyncratic characters by looking back. Anderson visited the golden age of print journalism, stayed in the lost grandeur of European sanatoriums, led a train through old-world India, and now traveled to 1950s America with city ​​of asteroidswhich debuted at Cannes and is out June 23.

The film’s title is somewhat of a misnomer: Asteroid City has a population of 87 and is named after a meteor that landed in 3007 BCE. The film revolves around a convention commemorating this event (cue nostalgia). Although it perfectly replicates a desert southwest town with a one-pump gas station and a cozy lunch, city ​​of asteroids was built and shot under the Spanish sun in Chinchón, an hour south of Madrid.

Fans can explore the characteristically detailed props, costumes, and sets that make up Anderson’s final world in “Exhibition on the city of asteroids», a London pop-up staged by 180 studios and Universal Studios, which runs through July 8.

Vending Machines, Asteroid City Exhibition, 180 Studios, London

“Asteroid City Exhibition” vending machines. Photo courtesy of 180 Studios, London.

The film aesthetically captures the idiosyncrasies of America in the 1950s, setting the pitfalls of its technological advancement against the backdrop of its timeless arid plains. It was, as the film’s press release notes, “an era of heightened political anxiety accompanied by fears over falling missiles and the pop culture explosion of fascination with aliens and other interplanetary visitors”.

This way, the installation exhibit feels both futuristic and retro. It takes the audience back to a time when Levi made clothes for manual workers, a hamburger was 35¢, and Pluto was still a planet. But it also features a neon green spaceship and a bank of vending machines including a vending machine, a location the director originally planned to stage the entire film in.

Wes Anderson billboard

Movie shooting billboard at “Asteroid City Exhibition”. Photo courtesy of 180 Studios, London.

For a sense of scenery, there’s the billboard advertising the meteorite site the town is famous for and the miniature freight train that cuts through the desert. For costumes, there’s Augie Steenbeck’s (Jason Schwartzman) full khaki outfit, junior stargazer Clifford Kellogg’s (Aristou Meehan) all-white uniform, and precocious teenage scientist Dinah Campbell’s (Grace Edwards) summer dress. ).

Those wishing to take home a piece of Anderson’s dream home in the desert can stop by the gift shop or grab a bite inside the linoleum-floored luncheonette, where prices are, of course, far from retro.

See more images from the exhibit below.

Asteroid City Sign, Asteroid City Exhibition, 180 Studios, London

Asteroid city sign. Photo: Courtesy 180 Studios, London.

Asteroid Day, Asteroid City Exhibition, 180 Studios, London

Asteroid Day outfit and accessories. Photo courtesy of 180 Studios, London.

Costume by Augie Steenbeck, Asteroid City Exhibition, 180 Studios, London

Augie Steenbeck costume. Photo courtesy of 180 Studios, London.

Classroom, Asteroid City Exhibition, 180 Studios, London

A film classroom. Photo courtesy of 180 Studios, London.

Cowboys, Asteroid City Exhibition, 180 Studios, London

Movie cowboy costumes. Photo courtesy of 180 Studios, London.

Dinah Invention, Asteroid City Exhibition, 180 Studios, London

The costume and the invention of Dinah Campbell. Photo courtesy 180 Studios.

Observatory, Asteroid City Exhibition, 180 Studios, London

The film observatory. Photo courtesy of 180 Studios, London.

Spaceship, Asteroid City Exhibition, 180 Studios, London

The model spaceship from the movie. Photo courtesy of 180 Studios, London.

Train and Alien Target Practice, Asteroid City Exhibition, 180 Studios, London

Train and practice alien targets. Photo courtesy of 180 Studios, London.

Exhibition on the city of asteroidsis on view at 180 The Strand, London, until July 8.

More trending stories:

A jeweled prayer book in a Cambridge library has been identified as belonging to Thomas Cromwell, Henry VIII’s chief minister

Brooklyn Museum’s much-criticized ‘It’s Pablo-matic’ exhibition is actually oddly at war with itself over Hannah Gadsby’s art history

A Rubens painting lost for 300 years and misidentified when it was last auctioned will be the star of the next Sotheby’s sale in London

In her cinema-inspired paintings, Eunnam Hong captures the unease of the alternative identities we all take on

London’s National Portrait Gallery responds to rumors that Kate Middleton pressured her to remove a portrait of Princes William and Harry

French archaeologists denounce the loss of 7,000-year-old standing stones at a site that was ‘destroyed’ to make way for a DIY store

Excavations of an ancient Roman fort in Spain have revealed a 2,000-year-old rock carved with a human face and a phallus

Follow Artnet News on Facebook:


Want to stay one step ahead of the art world? Subscribe to our newsletter to receive breaking news, revealing interviews and incisive reviews that move the conversation forward.

You may also like

Leave a Comment

@2022 – All Right Reserved. Designed and Developed by artworlddaily