Explore the New York Historical Society’s groundbreaking new exhibit Nature, Crisis, Consequence (on view through July 16) which examines the social and cultural impact of environmental crises on different communities across the United States throughout history.

Featuring artwork from the New-York Historical permanent collection, recent acquisitions, and loaned works, the exhibit examines topics ranging from the proto-environmentalism of the Hudson River School to the razing of homes and churches. to clear Central Park at the toll of the transcontinental railroad to calls to action by contemporary Indigenous artists. Highlights include “The Course of Empire,” Thomas Cole’s five-painting meditation on humanity’s relationship with nature; a striking seascape of Kay WalkingStick (Cherokee), which claims the present-day New England coast as aboriginal; and a woven ceramic basket by Courtney M. Leonard (Shinnecock) inspired by the mass fish kills on Long Island caused by climate change.

For more information, visit nyhistory.org.

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International audiences have free access to the media collections of MMCA Korea, TONO Festival, Peabody Essex Museum and National Gallery of Victoria.


Some contract cooks and other food service workers at the institution’s museums say they took two jobs to pay the bills.


For too long, the New York potter has been misidentified as white and of French descent.


Artists from the Southwestern United States explore the role of water during extreme droughts in a group exhibition at SITE Santa Fe curated by Lucy R. Lippard and Brandee Caoba.


The works in Language in times of miscommunication inspire viewers to question and resist propaganda in its many forms.


Ode to Sacalaia Lake is an investigation into the reconstruction of memory and mythology, as captured by photography.


Join us in person or virtually for a 10-day marathon and learn new investigative strategies, techniques and methods that will expand your practice for years to come.


The beloved art space was one of the few run by a Native American woman.


A small room with a painted tile floor, intricate self-portraits and textiles made from plastic waste were among the most alluring works of the first half of the MFA’s thesis exhibition.