Billy Komonaseok, Large walrus tusk cribbage board with monochrome engraving on both sides (circa 1910)

On Tuesday March 28, the one-day symposium The Wider World and Scrimshaw will be held in person at the New Bedford Whaling Museum, with an option to attend virtually. Renowned and emerging scholars will explore global carving traditions from across the Pacific that were influenced by, discussed with, and influenced the “Yankee” whaling scrimshaw. The day celebrates international maritime material culture and delves deep into the New Bedford Whaling MuseumIndigenous collections from Oceania, the Pacific Northwest and the global Arctic. The symposium is generously supported by the Terra Foundation for American Art.

The Wider World and Scrimshaw is an exciting opportunity to bring together leading scholars and new voices working on Pacific material culture and explore an understudied area of ​​our collection in relation to the whaler scrimshaw “Yankee”. The museum’s scrimshaw collection is the largest in the world and has been widely studied and published. In contrast, our Pacific Rim collections are less well understood. This symposium is an opportunity to reframe our approach to these two areas of the collection from a global perspective.

Naomi Slipp, Chief Curator of the New Bedford Whaling Museum

Speakers will examine Alaskan Native carving traditions, including Iñupiat and Yup’ik makers, Native Hawaiian Lei niho palaoa, Fijian tabua, Maori material culture and Pilipinx records, as well as the circulation and reproduction of imperialist imagery, and will share models for Indigenous peoples. led engagement with museum collections. The symposium aims to open a dialogue about the colonial legacies that inform collections like this, and pose the question: how can we better understand and interpret these collections from a global perspective, and what can such engagements offer – in galleries and beyond, as steward of object museums around the world?

For more information or to purchase in-person or virtual tickets, visit whalingmuseum.org.

The last

Compulsory reading

This week, the lightest painting in the world, the Pakistani feminist movement, World Puppy Day, and were some of Vermeer’s paintings created by his daughter?

Does Rawls, Shamel Pitts | TRIBE and Barak adé Soleil explore darkness, homosexuality, movement and dance in performances at the Museum of Contemporary Art Chicago.

Indigenous activists say sacred remains and unearthed items from a Brickell construction site should remain there, but mega-developer Jorge Pérez is pushing back.

How do I recognize my shortcomings while taking into account dark histories and the exclusion of subordinate narratives in the landscape of fine art? A working checklist for curators.

The artist and researcher will explore the effects of soot on climate change and public health in this online conversation.

The Ecuadorian painter, a leading figure in Latin America’s Indigenismo art movement, has been both praised and despised for his depiction of indigenous peoples.

“I think of young children, teenagers, and I think being able to see yourself represented in art is so powerful,” says the artist.

The series features 2021 fellows David Bowen, Mara Duvra, Rotem Tamir, Ben Moren and Dyani White Hawk in conversation with renowned curators and critics.

Talented students in grades seven through 12 are the recipients of the 2023 Scholastic Art and Writing Awards.

The sale to outside bidder Jacob Garlick ends the long legal battle between the five former owners of the iconic skyscraper.

For the first time in nearly 60 years, the innovative but little-known artist is the subject of a retrospective exhibition. Must see in Reno, Nevada.

A graphic designer on Twitter created a hilarious posting of the universally reviled logo, and the rest is history.

The “Free Admission” campaign advocates making information on ticket prices more transparent to visitors, who may be confused or misled by the language of institutions.