Fashion

Documentation of performance with “Suit No. 5 (Salmon)” (2020, 2022) and “Xùupsach Sàanvakàapih, Amvamaan (Ancestor Suitskin, Salmon skin)” (2022) (photo by the artist, all images courtesy of the artist) This …

LOS ANGELES — Perhaps one of artists’ greatest desires is to make the invisible visible, to express the ineffable yet deeply felt realities of existence in an infinitely layered and …

DATMAthe non-collecting institute of contemporary art in New Bedford, Massachusetts, enters its fifth year with another citywide business to include topics of equality, the story of those who have sought …

The second edition of Onassis Stegithe digital art exhibition, Plasmata II: Ioannina, poses a series of critical questions: Can we talk about digital without locking ourselves into the form imposed …

The Louvre Museum in the heart of Paris has announced its temporary custody of 16 medieval antiquities that were secretly evacuated from Ukraine during the ongoing Russian invasion. The works …

SANTA FE – “What’s most exciting about the exhibit is the experimentation each graduate student has undertaken,” says Dakota Mace, who is a mentor artist at the Institute of American …

COPENHAGEN – Enter the Kunsthal Charlottenborg until August 6 and the kunsthal (art gallery) of the Royal Danish Academy of Art will look more like a kirken – or church. …

Lately, Turiya Adkins flirted with emptiness — emptiness as in total aesthetic freefall, as in pleading of the fifth, as in total loss of plot, as in total refusal to …

A capsule from Kisho Kurokawa’s Nakagin Capsule Tower (1972) removed in 2022 (photo by Nakagin Capsule Tower Preservation and Restoration Project, courtesy San Francisco Museum of Modern Art) The San …

Dread Scott, “I Wish I Knew How It Would Feel to Be Free” (2023), silkscreen and gold leaf on canvas, 84 x 68 inches (all photos courtesy of Cristin Tierney …