Rose Cameron, the creative mind behind “Interwoven States.” Her art doesn’t just showcase her skills; it tells a personal story of displacement, identity, and a deep connection to her Filipino roots.
Rose’s life story is a testament to resilience and the healing power of art. Born in the Philippines, she left her homeland at 12 due to political turmoil. Armed with only a small bag, she embarked on a journey that would shape her future as an artist.
Arriving in the United States brought its own challenges. To fit in and face discrimination, Rose hid her past, leaving behind cherished memories and her siblings’ love. But her journey of self-discovery through art had just begun.
Rose studied at Rutgers Mason Gross School of the Arts, earning degrees in Fine Arts and Art History. Her hunger for knowledge didn’t stop there; she expanded her horizons with studies in architecture, interior design, and marketing at FIT and Parsons School of Design, laying the foundation for her multifaceted career.
While enjoying successful careers in fashion, design, and advertising, Rose privately nurtured her passion for art in her studio. Her unique works focused on children growing up in Asia and war-torn countries.
Her path took a significant turn when she became a full-time artist. Today, she’s represented by art galleries like Sara Nightingale Gallery in New York, ISA Art in Southeast Asia and Australia, and Laura Rathe Fine Art in Texas. Her art has graced galleries in Venice, Paris, Barcelona, Miami, Los Angeles, and Singapore.
In 2023, Rose presented her work during Singapore Art Week in a show titled “The Three Sisters.” This exhibition celebrated her siblings, their relationships, and their lives in the Philippines. It offered a poignant glimpse into her personal history and the bonds shaping her identity.
More recently, Rose held her first solo show at Sara Nightingale Gallery in Brooklyn, New York, titled “A Small Bag, and Nothing More.” In this exhibition, she shared her art, her story, and the inspirations behind her work. The title itself is a powerful metaphor for her journey—leaving her homeland with just a small bag, yet carrying the weight of a rich and complex past.
Rose Cameron’s art mirrors her quest to rediscover her lost past and identity. Through her work, she celebrates the culture and people of the Philippines, drawing from her idyllic childhood in Bulacan.
One notable piece, “Humming With The Women Of The Fields” (2023, Acrylic on Canvas), pays tribute to the often-overlooked women in rice farming. Inspired by her memories of the Philippines, the painting captures the grace of rice grass, leaves, and sampaguita flowers—symbols of love, dedication, and truth. Yet, the true focus is the women, toiling in the fields with silent determination or humming love songs. Through their unspoken resilience, they convey strength and purity of intention.
Rose Cameron’s work isn’t just about her artistic prowess; it’s a bridge between her past and present. Her art helps her forge closer ties with her roots, balancing her time between the United States and Asia, and diving deeper into her identity. With each brushstroke, she weaves the threads of her history, creating a tapestry of emotions, memories, and the enduring spirit of her homeland.
As Rose evolves as an artist and navigates her complex relationship with her past, her art serves as inspiration to all who’ve faced displacement and longed for a sense of belonging. Through her creativity, she reminds us that even in adversity, we can find solace, strength, and beauty in our own identity. Rose Cameron’s art isn’t just a visual spectacle; it’s a profound narrative of self-discovery and a testament to the enduring power of art to heal and unite.
