Pasquale J. Cuomo, an American photographer, has been weaving the tapestry of his life through the lens of a camera. His journey into the realm of photography began in his early teens—a passion that evolved into a part-time profession by 1980 and eventually became his livelihood in 1985. Cuomo thrived as a professional photographer, equipped with his own lab, an arsenal of extensive equipment, and a portfolio that found its way into trade magazines, and corporate brochures.
Cuomo aligns himself with the spirit of the Hudson River School, drawing inspiration from artistic luminaries such as Winslow Homer and Edward Hopper. In the realm of photography, he pays homage to pioneers like Mathew Brady, Andrew Russell, Edward Weston, Walker Evans, W. Eugene Smith, and Ansel Adams. This affiliation with the old school of photography infuses his work with a timeless quality, a testament to the enduring allure of classical techniques.
As Cuomo reflects on his extensive career, it’s evident that his artistic soul is entwined with the echoes of the past, resonating with the masters who paved the way for the art form he so dearly loves. His journey, however, is not confined to the echoes of history; it extends across continents and diverse landscapes. From the wilds of Africa to the delicate beauty of Japanese gardens, from the rugged terrain of Alaska to the sun-soaked landscapes of California and Europe, Cuomo’s lens has captured the essence of diverse cultures and environments.
The turning point in Cuomo’s journey came in 2021 when he decided to unearth his Hasselblad, a trusty companion that had gracefully retired with the onset of the digital age. The resurgence of film photography sparked a renewed passion within him, beckoning him to once again wield the classic camera that had witnessed the unfolding of decades of photographic history. It was a pivotal moment, a reconnection with his roots and a question posed to himself — did he still possess the touch, the eye that defined his earlier work?
The answer came in the form of a resounding affirmation. Postings of Cuomo’s recent work, after years of hibernation, garnered praise and admiration. The artistry that defined his earlier years had not only endured but had evolved, bearing witness to the fusion of experience and an unyielding passion for the craft. Cuomo’s personal and professional transformation in 2007 did not dim the flame; instead, it sparked a renaissance.
One notable series that showcases Cuomo’s mastery is the “Flowers Series,” a collection of images captured between 1985 and 1987 at the Queens Botanical Gardens. The photographs reveal a delicate dance between the Hasselblad 500C/M, equipped with a special 135mm Macro lens and the indispensable Hassy bellows attachment. Cuomo’s minimalist approach to lighting, relying solely on the natural illumination of the sun, adds a touch of authenticity to each frame.
The meticulous process behind these images unveils Cuomo’s commitment to his craft. Days for shooting had to be meticulously chosen, with considerations for low wind and clear skies. The film, whether Kodachrome or Ektachrome, became the canvas on which Cuomo painted the vibrant hues of nature. Each photo in the series, numbering around 130, narrates a story of patience, a virtue essential in the world of macro photography. Cuomo’s discerning eye sought out the perfect flowers, and the mantis, a cooperative subject, added a touch of whimsy to the series.
As Cuomo looks towards the future, there’s a sense of anticipation. The “Flowers Series” is not a culmination but a prelude to what lies ahead. With plans to expand the series in the coming year, Cuomo’s creative journey continues to unfold. His website, PASQUALECUOMOPHOTOGRAPHY.COM, serves as a digital gallery, inviting viewers to immerse themselves in the visual tales he has crafted over five decades.
In the realm of Pasquale J. Cuomo’s photography, every image is a chapter, and every series a narrative. It’s a story that began in the analog era, weathered the digital storm, and emerged with an undiminished passion for the art form. As Cuomo continues to capture moments through his lens, the conversation between the old school and the contemporary evolves, creating a visual symphony that transcends time.
